Jumat, 08 April 2011

Kulkul (Wooden Bell)

Kulkul is a big bell made of wood or bamboo use by various social organization of Balinese society. Like a bell it is used to indicated time of gathering, ceremony, and in the past to call the people during a strain time resulted by conflict, or criminal. Organization in Bali are various based on tradition, profession or hobby The type of the sound must be made differently and typical for each organization, so each member of the organization will soon understand to whom the bell is rang. 

For the need of traditional organization kulkul is made from selected wood such as jackfruit tree, orange tree, and other hard trees, while those made of bamboo are only for temporary use or only for temporal organization such as the group called” Sekeha ” The group of sekaha is mostly related to profession such as cultivating rice, group of hired labor, group of hunting and others. Special for group of cultivating rice a barter called ” kajak ” meaning included in a group who will get assistant and in turn to assist back with the same work.

In the past to cultivate land the farmer used wooden plow dragged by 2 cows as the main tool to soft the soil and a ” lampit ” to level the soil. While to clear the remains of plants used “gabag”, see short article on cultivating rice Both gabag and lampit were dragged by 2 cows. These informal groups in the past had kulkul each of them with different color of sound, and their kulkul made of bamboo. 

On the villages of highland where village and the farming areas are separated often quiet far, from 1 to 5 kms away, had forced the farmer to build a pavilion or temporary structure on the farm, but only for rest during the day or some time sleeping during certain season. The pavilion or temporary construction on the farm is called ” pondok ” opposed to ” umah ” the house in the village. The pondok always made in lower quality, compared to umah, even most were temporary in nature. 

At pondok usually farmers made kulkul in various size and sound color. One kulkul is just for children playing, one is to call the poultry when feeding time come, and other to announce to anyone that the keeper of the farm is presence. This was probably to prevent some one or thief entering the land, although in the past of Bali thievery was rare, and only happened at certain area of Bali, but it had become myth of every people of Bali. Interesting to see that traditional chicken breeders could train the chicken to hear the sound of kulkul.  

When it is fed the kulkul is knocked many times and all chicken will hast to the source of the sound. The training was not taking much time, and it soon understand, as every time the farmer giving them food the kulkul always knocked with the same pattern of sound, so it could form the reflect in the animal hearing. Before 1980s when most of the highland villages of Bali still could not be reached by car, the farmers looked after chicken, pigs ducks, cows and others at their pondok with or without constant watching. 

They just built an open pavilion as shelter of the chicken, and it was free without cage. During the night all of their stocks were left at pondok as the family sleeping at the house in the village. It was a social condition that was almost no thief, every one had his/her own subsystem for living, and no unlimited needs as what is today. Even the children were so happy with their brothers, sisters at their age group and on certain season madekulkul of bamboo for fun.  

Kulkul can be said as a symbol of organization in Balinese society with its changes very little over the millennium despite the presence of telephone, and radio as the most effective means of communication. In the past traditional organization of Balinese such as Desa organization, Banjar organization, Penabuh ( music player ) organization, youth-girl organization, security, Subak, and other temporary organizations, each has a kulkul which sound must be different from each other. 

So that every member of the organization will soon realized when the kulkul is knocked, to whom the call is addressed. Since every one of Balinese can be member of more then two organizations, both formal and non formal it is a must to know with reflect differentiate between various color of kulkul sound. The use of kulkul to call members is proceeded by a short notice or without short notice who done by one of the member in charge called ” kasinoman” Usually, when the member of organization will have a work together, the head and assistants organize a preliminary meeting at the village hall called Bale Banjar. 

During the head meeting the subject is discussed in short including the schedule such as the time of calling the member to join a complete meting. When the schedule has been fixed, one is assigned to give short notice to the member by visiting from door to door. The short notice will consist of information to member the brief subject and the time of meeting. On the fixed day the kulkul will be knocked to remind at once to call the member that the time has come. 

During a ceremony at the temple which takes more then 2 days including preparation of offering at the temple the knocking of the kulkul will not preceded with short information from door to door, since the announcement usually given during the dismissal of the gathering. The time schedule contains in the announcement will be indicated by the sound of kulkul, even unexpected gathering to follow which is not on plan can be called only by knocking the kulkul.

Some events indicated by sound of kulkul without short door to door notice by the kasinoman are when one of the member of the village dead, married, emergency and regular meeting / work. In all events normally the sound of the kulkul is made as ” duang tulud ” meaning two rounds. One round of sound starting with slow, then quicker and quicker temp as much as knocker could do, then slowing again. When one of the village member is dead the biggest kulkul or the banjar organization owned kulkul is knocked in three round. 

Since dead is the obligation of all members of the organization within a village to participate in the activity of burial and ritual. This kulkul is placed at the Bale Kulkul ( kulkul pavilion ) near the Bale Banjar. 

While other kulkul that relating to organization of Desa, music player, youth-girl organization, and other organizations belong to the religious activities are place at the temple. Today with the disappearance of temporary organization at the villages, the number of kulkul also decreasing, as bigger works also decreasing. More works at the rice field or dry land tend to be sub-contracted or given to paid workers based on daily fee. At the highland with the disappearance of seasonal rice planting many temporary organizations also disappeared. The land is used to plant longer living fruits or other plantations which is expected to give more economic value.

Banjar


Every area in Bali is run by a local Banjar with the male heads of each family representing each family. This traditional town council meets twice a month at the Banjar pavilion in a central location, close to the pura desa, or village temple.

• What is the Banjar ?
The Banjar are adjudicators of adat, traditional law and determine dates for religious events, collect money for ceremonies, allocate temple maintenance, oversee land sales and on occasion hand out summary punishment to troublemakers.

• How the Banjar fits in with Balinese village structure
Bali is dived into kabupaten (districts), kecamatan (municipalities) and kelurahan / desa (villages). Traditionally a Banjar will control a desa, more accurately the inhabited land. The sawah (rice-fields) are governed by the subak, another integral part of Bali’s social system. The subak will determine when a farmer can flood his fields and its primary role is the control of water, since Bali’s economy and culture depend on the production of rice. Both the Banjar and the subak each with their temples and organizations.

Balinese villages have an organizational structure. If you look into the family compounds you will see red tiles roofs, various family bale structures and other familiar buildings. You will also see the same family temples (sanggah/merajan). A large tree will indicate the Banjar pavilion, with 2 slit logs hanging from the branches, as well as religious shrines. This is where the banjar meets to discuss important village issues and is a community meeting place. Banjar means ‘neighborhood’ and people feel this place is where they can come and feel at one with the community.

• Banjar society
Membership to the banjar is mandatory for each Balinese married man. The Banjarhas its own system of lending locals money for equipment. At the Banjar pavilion everyone takes a turn at cooking, cleaning and performing menial duties. The leader of the banjar is elected and approved by the gods via a medium.
The basic social unit of the Banjar is the pekurenan (couple). Only Balinese married couples are full Banjar members and subjected to the banjar rights and obligations. Foreigners or other Indonesians cannot join the Banjar as it is tied up with Balinese culture and the Agama Hindu religion. All Banjar meetings are conducted in Basa Bali (Balinese language). The decisions are taken by the sangkep (assembly) of the banjar’s male members, the krama banjar, which often occurs every 35 days.

• Ceremonies
Most ceremonies, at the level of the family or of other local temples, cannot take place before a pejati (“notification offering”) at the kahyangan tiga. The most important is probably the pura desa, or village temple. Its god, Batara Desa, is usually given the forefront position during the village processions of gods. The desa pekraman (village community) is in reality also the congregation of the pura desa, whatever the other affiliations. It is headed by the bendesa adat.

Much of the ritual work at the village level is shared among the various banjar, for example, More than participate in upacara (ceremonies). One banjar may look after the pura desa for the upcoming festival and another banjar for the one after. Banjars will redistribute the work entrusted to it, via the kelian banjar or neighborhood headman. All ritual activity will need his involvement before it can take place.

The desa (village) usually has three village temples, the kahyangan tiga, each positioned according to adat (traditional law and custom) and relating to the village’s symbolic life:  The pura puseh (temple of origin, representing the village founder and also called the navel temple) is located towards Gunung Agung. This is where the important gods of the village and its founders are worshiped; The pura desa (village temple), is located in the center of the village, where meetings of the village assembly and the rituals of fertility are held; the pura dalem (temple of the dead), located toward the ocean, domain of the demons, is where the forces of death are worshiped.

Cremation ceremonies take place here and the graveyard, for bodies awaiting cremation is also here. Besides these territorial temples, there is also a temple for each banjar (bedogol or pura banjar), a temple for each subak, and the various temples of the local sub – groups (pura dadia or pura panti), each one having its own calendar of festivals. All temples of the kahyangan tiga (pura peseh or ‘temple of origin’, pura desa or ‘village temple’ and pura dalem or ‘temple of the dead’) are a vital part of all local rituals.

• Banjar decision making
The decisions are taken on the basis of unanimous agreement, unlike the western ideal of ‘winner takes all’ (majority rule), The banjar has been, since 1979, recognized by the Indonesian government and is the lowest administrative structure of the national administration. Fitting in directly under the authority of the perbekel / lurah (supra – village head) and beyond the traditional bendesa adat (village head). There are also two types of kelian banjar, the kelian dinas, who is in charge of the administrative aspects of the banjar life, and the kelian adat, who looks after the customary aspects in collaboration with the bendesa adat. They usually work together, unless the two roles are fulfilled by one person.

• Modern day banjars
Banjar has anywhere from fifty and two hundred individual family compounds. The word Banjar originally meant a row of houses, the clustering of compounds into a neighborhood, with a temple and a community. Nowadays, most of these banjars have split, and the banjar community is no more strictly territorial. Two banjars can occupy the same territory, and banjar members sometimes live far from the center of community. In densely populated areas such as Denpasar and Kuta, there are many banjars and they don’t always get along, especially when residents choose to leave one banjar for another.

• Sharing the joy and pain
Banjar has an association called the banjar suka duka which means ‘the association for the sharing of joy and pain’. This relates to the function played by the group in the organizing specific social services or work called ayahan. Every banjar member has responsibilities in helping help the temple clean, preparing for ceremonies, providing funds and offerings. These responsibilities are some of the most important of all found in the network of village associations and Balinese can get ejected from the banjar if they do not participate.

• Effects of the banjar in modern times
Banjar have generally been a good thing for Bali and during the riots in 1999 banjar Kuta patrolled to keep rioting youths from destroying tourist infrastructure. The banjar is the main force that prevents the Balinese becoming a disenfranchised population like some other cultures in the developing world. It insists locals are used for construction and hired as staff. During religious events the banjar will determine what streets are blocked off and this is enforced by the banjar traffic cops, the pecalang. It is the one social group in Bali that has the respect (in some cases fearful respect) of most people. A couple of years ago banjar Seminyak decided to close down all bars and nightclubs for a weekend to make a point. They stayed closed and the point was made.

Meru


The towering Meru with its tiered sugar palm fiber roofs and elegant silhouette is the prima ballerina of many temple courtyards. This Balinese pagoda, a shrine to the higher deities, always has an odd number of roofs, with a maximum of 11. The number depends on the status of the divinity in the local hierarchy. That is why, based on the concept of Mandala that the function of each meru are:

1.  Meru with 3 tiered roofs are dedicated for Tri Murti (Hindhu Trinity )such as Brahma (creator), Wisnu (preserver) dan Siwa (destroyer/dissolver).

2.  Meru with 5 tiered roofs are dedicated to Panca Dewata such as: Iswara, Brahma, Mahadewa, Wisnu dan Siwa.

3.  Meru with 7 tiered roofs are dedicated tor: Sapta Dewata such as: Iswara, Brahma, Mahadewa, Wisnu, Siwa, Sada Siwa dan Parama Siwa.

4.  Meru with 9 tiered roofs are dedicated to Nawa Sanga Dewata such as: Iswara, Maheswara, Brahma, Rudra, Mahadewa, Sangkara, Wisnu, Sambhu dan Siwa.

5.  Meru with 11 tiered roofs are dedicated Eka Dasa Rudra Dewata such as Iswara, Maheswara, Brahma, Rudra, Mahadewa, Sangkara, Wisnu,Sambhu, Siwa, Sada Siwa dan Parama Siwa. Meru, a shrine with one tiered roof, one with 2 tiered roofs, is not called ‘Meru’ but ‘pelinggih Gedong’ or “Gedong jajar /Gedong Sari” functioned to worship “Purusa-Pradana aspects (Male – Female) it is usually connected with worshiping the ancestors. Note that the number of tiered roof of the Meru doesn’t show the height of the god’ degree the people worship to.

Padmasana


Balinese temples contain many structures and one of the most important being the Padmasana. This is found in the Jeroan, or inner courtyard of the temple. The padmasana is a tall sculptured stone tower upon which is the empty stone seat, or lotus throne, and is reserved for Sanghyang Widi Wasa. This is placed so that it faces away from the holiest mountain, Gunung Agung in the northeast corner of the temple. At the base of the column a representation of a Turtle, Bedawang, is usually found and according to mythology is the base upon which the world rests. 

On top of this base are often found two carved serpents or naga, indicating animality. As well, there are representations such as mountains to indicate the physical world of man. The godly seat is placed well above these. The throne is usually two metres above the ground so that it is above the heads of worshippers. In larger versions of the padmasana, there are steps leading up to the throne to enable people to make offerings. The whole structure signifies the entire cosmos – from the demonic depths to the heavens.

Wantilan


The two- or three-tiered pavilion often found adjacent to the village temple is the town’s Wantilan (community Hall). It is usually has solid coconut wood columns and chunky proportions for the base, plinth, and roof trussing. The Wantilan is used for meetings, cockfighting, political rallies, and dance performances held as a part of village temple festival.

Bali Rice Field


As we know that around 75 % The Balinese are farmers but most of the income we have because of the tourist business. And the rice terraces located every where such has: Tegallalang, Jatiluwih, Bukit Jambul and Pupuan are the most popular and the most beautiful rice terraces to be seen.

About The Rice
Rice cultivation has shaped the social landscape- the intricate organization necessary for growing rice is a large factor in the strength of Bali’s community life. Rice cultivation has also changed the environmental landscape – terraced rice fields trip down hillsides like steps for a giant, in shades of gold, brown and green.
There are four words for rice namely;
  1. Padi is the growing rice plant (hence paddy fields)
  2. Gabah is rice after harvesting,
  3. Beras is uncooked grain
  4. Nasi is cooked rice,
As in Nasi goreng (fried rice) and nasi putih (plain rice). A rice field is called Sawah. The whole rice field has a farmer organization called “Subak

Subak (Balinese Farmer Organization)
Subak in Bali does not belong to the Banjar and has its own leader. The people who become the Subak members are not always the same people who become the Banjar members. The Subak members are the owners or the people who work on the rice field that getting the water irrigation from the dams regulated by a Subak organization. Not all of the Subak members live in the same Banjar. On the other hand, there could be a Banjar member who has many rice fields in different areas and get the water irrigation from the dams organized by several Subaks. Therefore this Banjar member will join himself in all of the Subak where his rice fields are located.
The Process of the Growing the Rice
The process of the rice growing starts with the bare, dry and harvested fields. The remaining rice stalks are burnt off and the field is then liberally soaked and repeatedly ploughed. Nowadays this may be done with a mechanical, petrol-powered cultivator, but often they will still use two bullocks or cattle pulling a wooden plough. Once the field is reduced to the required muddy consistency, a small corner of the field is walled off and the seedling rice is planted there. The rice is grown to a reasonable size and lifted and replanted, shoot by shoot, in the larger fields have to be kept in a working order and the fields have to be weeded

Penjor

 Penjor is an offering in the form of a tall, decorated bamboo pole whose gracefully curving upper end is said to resemble both the tail of the barong, symbol of the goodness, and the peak of the sacred mountain, Mount Agung. Penjor are placed in front of each Balinese household for the Galungan holiday and an also used in conjunction with important temple ceremony and life-cycle rituals. 

Hanging from the end of every penjor are beautifully plaited palm leaf creations called sampian. When people go to a temple ceremony, most of them wearing their best traditional dress and make they as beautiful as possible to please the gods and each other. The Balinese believe the human body represents the cosmos, heavenly at the top, demonic at the bottom, with humanity in between. Their temple wardrobe and the materials they are made of reflect this belief.